Sign up for our free monthly ezine featuring articles and screenwriting tips. But please understand that securing representation for your writing is not as simple as calling up, sending an email or even mailing your script. Agents and Managers mostly do not accept unsolicited queries and will usually either trash a script sent to them that has not been requested or just send it back.
Writing Movies That Get Made Agents Unless you know a bankable director or star, the best person to put your script in the hands of someone who can buy it is an agent.
If you don't get paid, she doesn't get paid. In the book business, someone who represents books is called a "literary agent" whether the books are literary or not. But in show business, a screenwriter's agent is called a "literary agent" and someone who represents books is called a "book agent.
Call development people and producers and tries to get jobs for her clients Call development people and producers and tries to get them to read and buy her clients' spec screenplays.
A "spec" screenplay is any screenplay the writer wrote without getting paid by a producer to do it. You're writing a spec screenplay. Have breakfast, lunch, cocktails and dinner with industry people and try to do 1 and 2. Negotiate deals for her clients when they have succeeded at 1 or 2.
Go to screenings of movies her clients wrote. Go home and read scripts to see if they, and the writers who wrote them, are worth representing, so she can do more of 1 through 5. What she is looking for is a well-crafted script with a great hook. If she thinks you've got one, she'll sign you.
Here's how it's supposed to work: A good literary agent knows a big chunk of all the people your screenplay should go to. She has built up a reputation with them for sending good material, so that if she tells them your script is really good, they'll read the script quickly. Once she signs you, she is going to spend a week or two talking up your script to all the development people she knows at the major production companies.
Then on the appointed day, she'll "go out" with it. Go Between, a courier agency, picks up the box and delivers all thirty of the scripts to the various recipients within about three hours. Then she waits for the phone to ring.
Well, actually, she makes about a million other calls for other clients, waiting for the phone to ring on your script. What she hopes is that two production companies will love the script and want to buy it.
A bidding war is the only way you get those big paydays you read about in Variety and The Hollywood Reporter.
If all goes perfectly, within a week she has a buyer or two, and you make a deal. If no one buys your screenplay, your agent will try to get it set up somewhere on an option deal. I'll explain what that is in a moment.Information for Agents.
Questionnaire for Prospective Agents Future Map Alumni & Friends Event UK applicants to MA Screenwriting can apply for the BAFTA scholarship. Each successful BAFTA scholar receives up to £12, towards their annual course fees, as well as mentoring support from a BAFTA member, and free access to BAFTA.
Screenwriting agents in the UK range from the giant corporate types embodied by United Agents and Independent Talent, through to boutiques and one-man bands.
Literary Agents for Screenwriters: Listed below are just some of the literary agencies who represent writers for Film & Television. You may also be interested in our list of Literary Managers.. But getting an agent is not as simple as calling up, sending an email or even mailing your script.
Agents Unless you know a bankable director or star, the best person to put your script in the hands of someone who can buy it is an agent. A literary agent is someone who represents you, and takes 10% of whatever you make from your screenplay, and is therefore highly . Making It In: Screenwriting.
Graham Kinniburgh gave up a career in banking to fulfil an ambition to work in film. Here he talks to people in the know about how to break into screenwriting.
ScreenCraft's Ken Miyamoto shares everything screenwriters need to know about agents and managers, taken directly from some of the industry's best.