If she were a feminist, then it would only make sense to assume that her writing would be put into the category of feminist literature, but one should never assume anything.
|Sylvia Plath American Literature Analysis||One of the most enigmatic American poets, Plath posthumously became an icon for the feminist movement.|
|Navigate Guide||Themes are the fundamental and often universal ideas explored in a literary work.|
This aspect of her work has resulted in many imitators. On another level, her poems and stories, by showing the reactions of a raw-nerved, hyperaware individual to an indifferent, if not hostile, environment, provide a sensitive interpretation of universal vulnerabilities.
Her feelings for her loved and hated father, her suicide attempts, her anger at the world, and her existential loneliness are described in sharp detail. The poems rage or speak up faintly from a well of despair. Occasionally they scream a furious triumph over the forces that oppress her.
They are dancing and stamping on you. They always knew it was you.
Many of the poems express the need for purification—for a death followed by a rebirth. The work is cited by those who argue that Plath did not intend her third attempt to be successful but wanted to be found just in time and revived, as she had been before.
Stylistically, the poems changed as her emotional intensity increased. Her first poems were carefully structured, delicately rhymed pieces, but she soon learned to do violence to form to produce tough, forceful poems that were spare and cutting.
Her early poems were characterized by sharply detailed nature imagery, with verbs carrying much of the burden of description. Snowcakes break and welter.
The off-rhymes and the alternating long and short lines suggest the rhythm of the sea, a movement that provides a subtle counterpoint to the argument of the poem. The later poems are more direct, more personal, and far less pictorial.
Nature images are pressed casually into the service of an emotional immediacy: I am incapable of more knowledge. What is this, this faceSo murderous in its strangle of branches?
The last poems are dominated by images of wounds and mutilations, surgical operations, Holocaust victims, and illness. The final poems become incandescent in their suffering; Jew and Nazi become a metaphor for the relationship between Plath and her dead father and in fact the whole male, oppressive society.
All barriers between the metaphoric and the real, the interior and exterior world, blur as Plath approaches her final act of self-deliverance. Her autobiographical novel, The Bell Jar, shows the same confrontation between its hypersensitive woman persona, Esther Greenwood, and a hostile world.
Particularly vivid in her novel is the growing feeling of detachment from herself that she must have shared with her protagonist: When she looks at herself in mirrors, she does not recognize herself but sees the image as someone else.
Like the poetry, The Bell Jar is dominated by death and the oppressive male world that pulls Esther deathward. These recurrent, even obsessive themes are perhaps most directly described when Esther tells what happened when she tried to commit suicide, as Plath herself had done at twenty, by climbing into a hole in the cellar: Cobwebs touched my face with the softness of moths.
Wrapping my black coat around me like my own sweet shadow, I unscrewed the bottle of pills and started taking them.Unlike most editing & proofreading services, we edit for everything: grammar, spelling, punctuation, idea flow, sentence structure, & more.
Get started now! In The Bell Jar, the veil of fiction over the story of Plath’s own life is so thin that her mother fought its publication in the United States, writing to Harper & Row that “practically every.
The Bell Jar was originally published under the pseudonym Victoria Lucas in order to protect the real-life figures Plath had based some of The Bell Jar ’s characters on. Ghost Titles. Before settling on The Bell Jar, Plath considered titling the novel Diary of a Suicide or The Girl in the Mirror.
See a complete list of the characters in The Bell Jar and in-depth analyses of Esther Greenwood, Mrs. Greenwood, and Buddy Willard. The fact that this sentiment comes from the author of The Bell Jar may surprise a lot of people.
It's true that The Bell Jar was and still is hailed as a major work of feminist fiction, taking on the sexism, materialism, and complacency of American society. The Bell Jar is the story of year-old Esther Greenwood, the breakdown she experiences, and the beginnings of her recovery.
The year is and Esther Greenwood, having finished college for the academic year, has won a one-month paid internship at Ladies Day magazine in New York City.